Ravi Prakash Arya (2017). Science of Vedic Metres and Musical Notes. Google Books.
Aristotle. Politics and Poetics. https://archive.org/details/aristotlepolitic00aris/page/330/mode/2up
Attridge, D. (1983). The Rhythms of English Poetry. Routledge: London
Attridge, D. (2019). The Experience of Poetry: From Homer’s Listeners to Shakespeare’s Readers. Oxford University Press
Barker, A. (1984). Greek Musical Writings: I Cambridge University Press.
Barker, A. (1989). Greek Musical Writings: II. Harmonic and Acoustic Theory. Cambridge University Press.
Bierl, Anton. 2009. Ritual and Performativity: The Chorus in Old Comedy. Hellenic Studies Series 20. Washington, DC: Center for Hellenic Studies. http://nrs.harvard.edu/urn-3:hul.ebook:CHS_Bierl.Ritual_and_Performativity.2009
Campion, T. (1602). Observations in the art of English Poesie. https://archive.org/details/bim_early-english-books-1475-1640_observations-in-the-art-_thomas-campion_1602/page/n1/mode/2up
Elaine Chew. On Making Music with Heartbeats. Eduardo Reck Miranda. Handbook of Artificial Intelligence for Music: Foundations, Advanced Approaches, and Developments for Creativity, , pp.237- 261, 2021, 978-3-030-72115-2. hal-03081561
Culler, J. (2015). Theory of the Lyric. Harvard University Press
Dabney W. Townsend, Jr. Myth and Meaning. The Centennial Review, Vol. 16, No. 2 (SPRING 1972), pp. 192-202 (11 pages)
https://www.jstor.org/stable/23738355
Darcy, Eamon (2011). ‘The footsteps of that custom…still remaining’: Medieval memory culture and Thomas O’Sullevane’s portrayal of the Irish bardic tradition. Proceedings of the Royal Irish Academy: Archaeology, Culture, History, Literature, Volume 122C, 2022, pp. 203-226 (Article)
DOI: https://doi.org/10.1353/ria.2022.0016
Doty, William G., 2000. Mythography : The Study of Myths and Rituals. Tuscaloosa: University of Alabama Press
Duranti, A. If it is language that speaks, what do speakers do? Confronting Heidegger’s language ontology. Volume33, Issue3, December 2023, Pages 285-310. https://anthrosource.onlinelibrary.wiley.com/doi/10.1111/jola.12404
Eliade, M. (1954). The Myth of the Eternal Return. Princeton University Press
Frye, N. (1957). Anatomy of Criticism: Four Essays. Princeton University Press
Grimble, A. (1953). A Pattern of Islands. John Murray
Hagel, S. (2009). Ancient Greek Music: A New Technical History. Cambridge University Press.
Hooke, S.H. (1935). The labyrinth; further studies in the relationship between myth and ritual in the ancient world. Society for promoting Christian knowledge: London https://archive.org/details/labyrinthfurther0000hook/page/n15/mode/2up
Jonathan D. Hill, 1993. Keepers of the Sacred Chants : The Poetics of Ritual Power in an Amazonian Society. Tucson: University of Arizona Press
Jenner, H., (1904). A handbook of the Cornish language : chiefly in its latest stages with some account of its history and literature. London: Nutt.
Kelly, L. (2017). The Memory Code: The Secrets of Stonehenge, Easter Island and Other Ancient Monuments. Pegasus Books
Leach, Elizabeth Eva. Sung Birds: Music, Nature, and Poetry in the Later Middle Ages, Ithaca, NY: Cornell University Press, 2006. https://doi.org/10.7591/9781501727573
Lessing, G.E. (1766). Laocoon: an essay upon the limits of painting and poetry. Accessed from the Internet Archive at: https://archive.org/details/laocoon0000gott_n9q1/page/n13/mode/2up
Lowndes, Robert W., 1951. The Troubadour. Salt Lake City, UT : Project Gutenberg
https://www.gutenberg.org/ebooks/23091
Quote: Fayliss shook his head. “Oh no—they are far removed from us. I am merely an explorer of past cultures and civilizations, and I enjoy adapting such masterpieces of the past as I can find. This arrangement was made for you; I shall make a different one for my own people, so that the sonic values of the music and the words agree with each other.”
EDS Lynch, T.A.C., & Rocconi E, (2020). A Companion to Ancient Greek and Roman Music. Wiley Blackwell.
Martin, R.P. (2022). Mythologizing Performance. Cornell University Press
Theory into Poetry: New Approaches to the Lyric
Series: Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft Online, Volume: 89
Volume Editors: Eva Müller-Zettelmann and Margarete Rubik
Palmer, C., & Hutchins, S. (2006). What is musical prosody? The Psychology of Learning a1969).nd Motivation, 46, 245-278.
EDS Phillips, T., & D’Angour, A. (2018). Music, Text, and Culture in Ancient Greece. Oxford University Press.
Poe, E.A, (1850). The Poetic Principle. (reprint), Home Journal, series for 1850, no. 36 (whole number 238), August 31, 1850, p. 1, cols. 1-6. Accessible at: https://www.eapoe.org/works/essays/poetprnb.htm
2019. Ritual and capital.
Bard Graduate Center for Studies in the Decorative Arts, Design, and Culture. Wendy’s Subway: New York
Rothenberg, J. (1969). Technicians of the Sacred: A Range of Poetries from Africa, America, Asia and Oceania. Knopf Doubleday Publishing Group
Sacks, O. (2011). Musicaphilia. Pan Macmillan
Scott, C. (2013). Music and Its Secret Influence Throughout the Ages. Inner Traditions Intl
Sherratt, S., & Bennet, J. (Eds.). (2016). Archaeology and the homeric epic. Oxbow Books, Limited.
Trask, W. (1966). The Unwritten Song. Poetry of the Primitive and Traditional Peoples of the world. Volume I: The far North, Africa, Indonesia, Melanesia, Australia. Ebenezer Baylis and Son Ltd.
Trask, W. (1967). The Unwritten Song. Poetry of the Primitive and Traditional Peoples of the world. Volume II: Asia, Polynesia, Micronesia, North America, Central America, South America. Scribner.
Tremlett, S., (2021). The Poetics of Poetry Film. Intellect, Bristol
Welsh, A. (1978). Roots of Lyric: primitive poetry and modern poetics. Princeton University Press
https://hdl.handle.net/2027/heb09142.0001.001
West, M. L., (1992). Ancient Greek Music. Oxford University Press.
West, M. L. (1987). Introduction to Greek Metre. Clarendon Press: Oxford.
A really useful overview of Polish post-war cabaret can be found on the CULTURE.PL website: https://culture.pl/en/article/how-sung-poetry-became-an-integral-part-of-polish-musical-culture
